Differences

This shows you the differences between two versions of the page.

--- films [2019/04/12 19:25] – [German Expressionism] greenandblack
+++ films [2019/04/27 16:07] – [Classical Hollywood] added To Be or Not To Be greenandblack
@@ Line 38: / Line 38: @@
   * [[https://ia902906.us.archive.org/13/items/Popcornarchive-citizenKane1941_cf3dw/Popcornarchive-citizenKane1941_cf3dw.mp4|Citizen Kane]] (1941) - //Orson Welles//
   * [[https://archive.org/details/Casablanca1942720p|Casablanca]] (1942) - //Michael Curtiz//
+  * [[https://www.youtube.com/watch?v=T3eG37VDvfc|To Be or Not To Be]] (1942) - //Ernst Lubitsch//
   * [[https://archive.org/details/ForWhomTheBellTolls43|For Whom The Bell Tolls]] (1943) - //Sam Wood//
   * [[https://archive.org/details/TheStranger1946|The Stranger]] (1946) - //Orson Welles//
@@ Line 75: / Line 76: @@
 ====German Expressionism====
-{{ :caligari_still1_1_.jpg?nolink&400|A frame from 'The Cabinet of Dr. Caligari' showing the style of German Expressionism, with a stark contrast and an erratic and angular mise-en-scene, Dr. Caligari walks through a long corridor, wearing a hat, suit and cane}}
+{{ :caligari_still1_1_.jpg?nolink&250|A frame from 'The Cabinet of Dr. Caligari' showing the style of German Expressionism, with a stark contrast and an erratic and angular mise-en-scene, Dr. Caligari walks through a long corridor, wearing a hat, suit and cane}}
 German Expressionism consisted of a number of related creative movements in the Weimar Republic. German Expressionist films produced in the Weimar Republic immediately following the First World War not only encapsulate the sociopolitical contexts in which they were created, but also rework the intrinsically modern problems of self-reflexivity, spectacle and identity. Films made in this period all hint at the inevitability of the rise of Nazi Germany.
   * [[https://www.youtube.com/watch?v=IP0KB2XC29o|The Cabinet of Dr. Caligari]] (1920) - //Robert Wiene//
@@ Line 122: / Line 123: @@
   * [[https://www.youtube.com/watch?v=BfUu9wMvypo|Volga-Volga]] (1938) - //Grigori Aleksandrov//
   * [[https://www.youtube.com/watch?v=i5EWgWEcoxM|Ivan the Terrible: Part 1]] (1944) - //Sergei Eisenstein//
+  * [[https://www.youtube.com/watch?v=L1R7sNL8wRI|Ernst Thälmann: Part 1 - Son of his Class]] (1954) - //Kurt Maetzig//
+  * [[https://www.youtube.com/watch?v=4nI2DweBBOM|Ernst Thälmann: Part 2 - Leader of his Class]] (1955) - //Kurt Maetzig//
   * [[https://www.youtube.com/watch?v=XEfDe4fvfFA|Ivan the Terrible: Part 2]] (1958) - //Sergei Eisenstein//
@@ Line 267: / Line 270: @@
   * [[https://www.youtube.com/watch?v=UYNyrPVTbIk|The Butterfly's Tongue]] (1999) - //José Luis Cuerda//
   * [[https://christiebooks.co.uk/anarchist_films/the-garroting-of-salvador-puig-antich-2006-manuel-huerga/|Salvador (Puig Antich)]] (2006) - //Manuel Huerga//
+  * [[https://archive.org/details/Agor1080p2009ItaEngX264Sciencefun|Agora]] (2009) - //Alejandro Amenábar//
 ====Italian New Wave====
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 New German Cinema is a period in German cinema which lasted from the late 1960s into the 1980s. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors produced a number of "small" motion pictures that caught the attention of art house audiences, and enabled these directors to create larger productions.
   * [[https://www.youtube.com/watch?v=DLhyQqA2Rjs|Yesterday Girl]] (1966) - //Rainer Fassbender//
-  * [[https://www.youtube.com/watch?v=5ptjYvCVq3w|Aguirre, the Wrath of God]] (1972) - //Werner Hertzog// ([[https://archive.org/details/AguirreDerZornGottes1972|Cloudy Weather Backup]])
+  * [[https://www.youtube.com/watch?v=5ptjYvCVq3w|Aguirre, the Wrath of God]] (1972) - //Werner Herzog// ([[https://archive.org/details/AguirreDerZornGottes1972|Cloudy Weather Backup]])
   * [[https://www.youtube.com/watch?v=i3KnEL-QGuY|World on a Wire]] (1973) - //Rainer Fassbender//
   * [[https://www.youtube.com/watch?v=bchs2iBpIak|Ali: Fear Eats the Soul]] (1974) - //Rainer Fassbender//