films
Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revisionNext revisionBoth sides next revision | ||
films [2019/06/21 15:35] – replaced youtube links with invidio mirrors greenandblack | films [2020/01/27 20:40] – added Ingmar Bergman greenandblack | ||
---|---|---|---|
Line 7: | Line 7: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
Line 225: | Line 226: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
Line 265: | Line 267: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
====French New Wave==== | ====French New Wave==== | ||
Line 284: | Line 281: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
Line 290: | Line 288: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
Line 326: | Line 325: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
Line 331: | Line 332: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
====Iranian New Wave==== | ====Iranian New Wave==== | ||
The first wave of Iranian (and later Afghan) new wave cinema came about as a reaction to the popular cinema at the time that did not reflect the norms of life for Iranians or the artistic taste of the society. The factors leading to the rise of the New Wave in Iran were, in part, due to the intellectual and political movements of the time. | The first wave of Iranian (and later Afghan) new wave cinema came about as a reaction to the popular cinema at the time that did not reflect the norms of life for Iranians or the artistic taste of the society. The factors leading to the rise of the New Wave in Iran were, in part, due to the intellectual and political movements of the time. | ||
Line 417: | Line 419: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | |||
+ | ====Swedish New Wave==== | ||
+ | In the wake of World War 2, Swedish cinema experienced a creative boom in the film industry. | ||
+ | |||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
------ | ------ | ||
Line 429: | Line 455: | ||
====Contemporary British Cinema==== | ====Contemporary British Cinema==== | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | |||
====Contemporary German Cinema==== | ====Contemporary German Cinema==== | ||
* [[https:// | * [[https:// | ||
Line 446: | Line 480: | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
+ | |||
+ | ====Contemporary Japanese Cinema==== | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | |||
+ |
films.txt · Last modified: 2020/02/12 14:50 by greenandblack