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Table of Contents
Films
The Birth of Cinema
- The Dreyfus Affair (1899) - Georges Méliès
- A Trip to the Moon (1902) - Georges Méliès
German Expressionism
German Expressionism consisted of a number of related creative movements in the Weimar Republic. German Expressionist films produced in the Weimar Republic immediately following the First World War not only encapsulate the sociopolitical contexts in which they were created, but also rework the intrinsically modern problems of self-reflexivity, spectacle and identity. Films made in this period all hint at the inevitability of the rise of Nazi Germany.
- The Cabinet of Dr. Caligari (1920) - Robert Wiene
- From Morning to Midnight (1920) - Karlheinz Martin
- The Golem (1920) - Paul Wegener & Carl Boese
- Destiny (1921) - Fritz Lang
- Dr. Mabuse, the Gambler (1922) - Fritz Lang
- Nosferatu (1922) - F.W. Murnau
- Schatten (1923) - Arthur Robison
- Greed (1924) - Eric von Stroheim
- The Last Laugh (1924) - F.W. Murnau
- Metropolis (1927) - Fritz Lang
- M (1931) - Fritz Lang
- The Testament of Dr. Mabuse (1933) - Fritz Lang
Socialist Realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was imposed as the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the glorified depiction of communist values, such as the emancipation of the proletariat.
- Battleship Potemkin (1925) - Sergei Eisenstein
- Strike (1925) - Sergei Eisenstein
- Mother (1926) - Vsevolod Pudovkin
- The End of St. Petersburg (1927) - Vsevolod Pudovkin
- October (1928) - Sergei Eisenstein & Grigoriy Aleksandrov
- Zvenigora (1928) - Aleksandr Dovzhenko
- Arsenal (1929) - Aleksandr Dovzhenko
- Alexander Nevsky (1938) - Sergei Eisenstein
- Ivan the Terrible: Part 1 (1944) - Sergei Eisenstein
- Ivan the Terrible: Part 2 (1958) - Sergei Eisenstein